Bruno Paillard Champagne

The Bruno Paillard style combines purity, complexity, minerality
Maison Bruno Paillard sprang from its founder’s desire to create a champagne different from any other, extremely pure and rare. Bruno Paillard has inherited a deep knowledge and respect for the great wine champagne can be, from a long family line of vine growers and grape brokers going back to 1704. In 1981 he established his own Maison, still independent and familyrun today. Bruno Paillard’s vision is to extract the very essence from each of the best vineyards of Champagne in order to then give rise to a signature composition, a champagne of excellence. Word spread amongst the cognoscenti who recognised the quality of his wines, which can be exclusively found in the finest restaurants and wine shops in the world.

An outstanding vineyard, in the heart of Champagne
Bruno Paillard creates his signature blend from as many as 35 prestigious crus. Part of these vineyards are worked by independent growers, most of whom have supplied their grapes to the Maison for 30 years. More than half of the vineyards, some 32 hectares which include 16 in grands and premiers crus, are owned and cared for by the House.

A sustainable viticulture
Respect for the land and the inimitable characteristics of the chalky soil of Champagne is a priority. The vineyard team implements rigorous methods with sheer passion: absence of weed-killer; ploughing; grass-covering of some of the soil; organiccertified fertilizers...Practices that generate both a better biodiversity and a deeper root development.
Exclusively using grapes of the highest quality.

Only the best grapes are selected
A significant portion of the crop is declassified each year to ensure the excellence of the signature of the Maison in the long run.

Art & Bruno Paillard

An outstanding venture

“Had I not set up a Champagne house, there’s one thing I am sure of; I would never have made it as a great painter because I’m just not sure I’m talented in that way. I would, however, have liked to own a gallery. I chose another path and today I’m a contented amateur who, every now and then, catches a glimpse of something that moves me profoundly.” Bruno Paillard has a passion for Art1 driven by his own very personal approach. For example, the current vogue for art which is full of aggression or art created to bear witness leaves him unmoved. “If art is merely used to provoke - there being many other ways of questioning oneself every day - then this form doesn’t interest me. For me, art has a two-way approach, aesthetic - even if this angle is frowned on - and emotional”, he summarizes clearly. Delving into his own cultural background, he initially searches for something beautiful in a work of art, albeit against the flow of current opinion-setters. With a knowingsmile, he adds “I know it’s not today’s accepted meaning of the term. However, it’s my way of living alongside, and with art. This is because I really quite enjoy letting it take hold of me.”

Bruno Paillard is convinced of one thing; art carries great happiness. There’s one condition, however; one must allow oneself to be taken in, just a little, free of preconceptions.

Art and Champagne, an obvious alliance

Furthermore, for this Champagne man, the partnership between art and Champagne is undeniably obvious. Why? “Above all, Champagne is a blended wine. The producer will marry grape varieties as well as wine from a specific harvest and/or year; there are a multitude of possible combinations. Producing an "assemblage" is, in the approach itself, artistic. It’s all about creating. The winemaker can also decide to act otherwise and make wines from mono grape varieties, either ‘blancs de blancs’ or ‘blancs de noirs’. However, such endeavours are few and far between. Finally, vintage Champagnes are Champagnes from a single year’s harvest and can be made with a single grape variety or a blend of grapes harvested from various "crus" and vines. All in all, if we consider blending as the thesis behind Champagne, then any exceptions forcibly make up the antithesis. Our focus here lies with the third of these Champagne exceptions, the "Millesime" (single vintage). The specific nature of our climate makes it differ from one year to the next. The winemaker can choose to flatten out the differences between vintages. Or, by contrast, he can prefer to highlight them. For my part, I have chosen the second path, bringing out the true characteristics of one given year. To summarize, it’s a question of rules and exceptions.” And therein lies the art.

The strength of his passion allowed him to turn his dream into reality when he set up his Champagne house from scratch at the end of the twentieth century, in 1981. “By nature, it’s a resolutely contemporary Maison. Of course, I’m not the person who invented the blending technique. But then, what is blending? Nothing more than the painter’s palette on which one mixes and works the colours to obtain a shade that corresponds precisely to the one we want. So there is a phase in our work that is art. For me, composing ‘cuvées’ or wines, i.e. the assemblage, is art itself! The test tube is, in many ways, the artist’s canvas and the artist is the blending expert. I have created my ‘cuvees’ to my taste down to the last detail. My role is not just that of a performer, but more precisely of a composer-performer! First I composed the synphony, and now I am the orchestra conductor.”

So, for them, Champagne is art on a daily basis. Painter-artists also work day to day. “Why not bridge the gap between the two?” This is precisely what Bruno Paillard wanted to do: add personality to his vintages and express their nature on the bottle labels, stepping beyond the rather arid information that must be included by law, with a graphically designed message. The message must be understood by experts but also assimilated subconsciously by all others who choose to look. Once the vintage is finally ready for drinking, the theme is selected. Bruno Paillard considers which artists could express the theme through graphic images. He can have been touched by a piece of work or an artist, often by both in succession.

The results are seen in this unique galleryhouse, with its many varied works of art, their diversity being their source of wealth. Each painting has its own story and expresses a precise message. Not one resembles another even if they all speak about a “cuvee” from Champagne. This is because these paintings are in perfect accord with the vintages, different themselves, unique by definition.